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Copyright Law - 844 Words

Copyright and Copywrong This essay will first examine how copyright law has attempted to be strengthened in New Zealand, and whether that has succeeded in preventing piracy. Next, how New Zealand’s current copyright law stifles creativity will be examined, with comparison to the United States jurisdiction. Lastly, the benefits of reform regarding ‘fair use’ will be discussed. Due to word constraints, examples of creativity will be limited to parody within Pop Art. Recent copyright reforms in New Zealand suggest a shift towards strengthening copyright protection, favoured by copyright holders. For example, a ‘three strikes’ regime acts against internet account holders who either upload or download copyrighted content. Prosecution has†¦show more content†¦However, as technologies that foster copying have developed, as have Art movements that rely on parody. The prime example is Pop Art which recontextualises existing works and items to comment on society. This plays a key role in the digital age by allowing creative expression through ‘original’ work. For example, pop artist Jeff Koons appropriated Silk Sandals, a magazine photograph of shoes, in his painting Niagara, depicting numerous consumer goods. When sued for copyright infringement, the Court accepted ‘fair use’ under its Copyright Act 1976, that Niagara was a criticism of consumerist desires and the bombardment of advertising. This was co nsidered a ‘transformative’ use of the original photograph to create new creative objectives and insights. Interestingly, this suggests that copyright is protecting the idea of the work, as well as expression. If the same case occurred in New Zealand, copyright would be infringed as Niagara reproduces Silk Sandals substantially. Arguably, fair dealing for criticism might apply. Yet, this is untenable as an incredibly high threshold of criticism would need to be shown. Thus, New Zealand’s copyright law regarding use is restricted for failure to align with technological changes. Society values remixed innovation in parodies such as Pop Art. The law must be able to recognise this. New Zealand may favour a fair dealing for parody exception as an expansion of our criticism exception. This is supported by aShow MoreRelatedCopyright Laws And Copyright Law1306 Words   |  6 Pages1422047 Existing Copyright Law Introduction Copyright law is a part of not only music but many other products for example the software that you are reading this document on has more than likely got copyright protection. But for the purpose of this Document the main topic of copyright is going to be based around music. Here is a few facts that may give you a better understanding of copyright as you read... †¢ Copyright Law Came into existence as a spur from a concept from the â€Å"statute of AnneRead MoreCopyright Laws And Its Effects On Copyright1614 Words   |  7 PagesArtists protect their creative works, ideas, and literature by having them copyrighted. Ideally, copyrights protect creative expressions that are personified in a concrete material or fixed form or mediums (Strong 1). Therefore, whenever someone else wants to use some work or art that is created by a different person, they need to seek permission from the owner especially if his or her work is copyrighted. The process of seeking permission to use copyrighted materials is known as licensing. NotablyRead MoreThe Purpose Of Copyright Laws1130 Words   |  5 PagesThe purpose of copyright laws in modern society, as confirmed by Darrell Panethiere (2005) is to protect the creative rights of â€Å"authors, performers, publishers, broadcasters, and many others whose livelihoods depend upon the recognition of right s† (p. 1, par. 1) for their intellectual properties. In the contemporary business world, most companies that sell products of some kind depend on other firms for the design, production, and distribution of the product to make it available for selling. SuchRead MoreEssay The Copyright Law1076 Words   |  5 PagesThe Copyright Law Copyright is the exclusive right given by law for term of years to author, designer etc., or his assignee to print, publish or sell copies of his original work Copyright is a law that protects published and unpublished work that you can see, hear and touch, from being reproduced without prior consent from the creator of the work. Copyright law and copyright Read MoreCopyright Law On The Planet1278 Words   |  6 Pagesâ€Å"Only one thing is impossible for God: To find any sense in any copyright law on the planet† (Mark Twain). The concept of copyright in the United States has a large history. The first form of copyright in the United States stems from Article 1, Section 8, Clause 8 of the U.S. Constitution in the year 1787, where â€Å"Congress shall have power . . . to promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writingsRead MoreCopyright Laws Of The United States1600 Words   |  7 PagesA copyright is a form of protection provided by the laws of the United States to authors of original works of authorship. â€Å"Copyright law in the United States is based on the Copyright Act of 1976, a federal statute that went into effect on January 1, 1978,† according to FindLaw. FindLaw also states that, â€Å"Individual states c annot enact their own laws to protect the same rights provided by the Copyright Act. Original multimedia works are protected by Copyright.† Literary, dramatic, musical, artisticRead MoreThe Definition Of Uk Copyright Law1275 Words   |  6 PagesThe enduring fascination for people is that they want law to be flexible in the matter of copyright. This was clearly expressed by Ed Mayo, Chief Executive of Consumer Focus quoting UK copyright law is the oldest, but also the most out of date. Before addressing the question it’s important to look at the history and definition of UK Copyright law. It has grown from this beginning to form the main legal basis for the international publishing industry, which contributes so much to literature, learningRead MoreEssay On Copyright Laws1292 Words   |  6 Pages Copyright laws in regards to music should be repealed. The RIAA has misconstrued the perceived effects staring had on artist development and revenue, when in fact the perceived financial short-comings of downloading and peer-to-peer sharing are actually made up through concert-revenue and merchandise-revenue. It is important to take a look into the perceived effects done by the RIAA. The RIAA claim that file sharing reduces sales, with estimated displacement rates ranging from 3.5% for moviesRead MoreThe Development Ofu.s Copyright Law1328 Words   |  6 PagesThe Development of U.S Copyright Law Simon Cho The history of U.S copyright law came from England. As a matter of fact, copyright was not intended to reward creators but to prevent sedition. As the number of presses grew in late fifteenth century in England, the authorities started to grant control over the publication of books to a group of printers, called the Stationers’ Company in mid-sixteenth century. The Licensing Act of 1662 confirmed that licensed printers have the right to publishRead MoreHistory Of Copyright Law With Indian Context Essay878 Words   |  4 PagesHISTORY OF COPYRIGHT LAW WITH INDIAN CONTEXT: India has one of the oldest academic traditions with formal education finding a place in its ancient history. The universities of Takshila and Nalandaare great centers of learning in the early world, teaming with students and teachers from all parts of the world, not to say about the great Gurukul tradition in the age-old past. However, those are the days when learning was considered as gift of God, freely received and freely given. Over the centuries

Kindred the novel free essay sample

Regina Tyler History 101 November 27,2013 In the novel Kindred Butler confronts us with differences of black and white and past and present. All of the issues in Kindred are derived from issues of black and white. Danas race and literacy is what defines her in the 1800s in Maryland and in 1976 in California. As a reader Im yanked between past and present as well as the characters Dana and Kevin. Dana and her husband are forced to experience slavery in Maryland and their home in California seems far gone. We are all affected by the legacy of slavery in one way or another, whether we know it or not. Whites and blacks are affected by the past and present types of racism. In some way we are all connected to slavery and Dana finds that out when she is taken back to the 1800s. The past stereotypes of blacks in the 1800s are still imbedded in our thoughts a hundred years later. We will write a custom essay sample on Kindred the novel or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Race was a key motif in the novel, which was expected since the novel is about slavery. Dana was married toa white man named Kevin in 1976 then pulled into the 1800s where a black woman marrying a black man was unheard of. Danas intelligence made her experience in the 1800s different from other slaves. They couldnt understand how she was so intelligent since blacks were seen as inhumane and unintelligent. Race is what links Dana to the other slaves although they wanted to let her know that she was no different from them. Carrie rubbed Danas face to show her know that her skin color does not come off. The slaves on the Weylin plantation saw Dana as the house-nigger, handkerchief-head, and the female Uncle Tom. Her intellect and connection with Rufus is what made her seem as such. She was looked at as the house-nigger because she worked in the house cleaning and eaching Rufus and never on the field. Handkerchief-head is what the slaves called her because they didnt feel like she identified with them, but only identified with whites. The slaves didnt know her reason for being so close with the masters son or why she was so educated but what they did know was that she represented all those stereotypes. As a young boy Rufus was very powerless and compassionate. Even though he felt like his skin made him superior to blacks he still had friendships with black children Alice and Nigel. Upon the second meeting between Dana and Rufus which was the ire Dana tries to get Rufus to not see a difference between blacks and whites and to respect blacks the way he wanted them to respect him. Dana also learns that she is related to Rufus the second time they met. As Rufus gets older her inherits to role as a slave owner and his need for power takes over. With power comes the need for more power so he turns on his friends and abuses Alice and treats Nigel as an interior. Rutus tried to prove his power over Dana by conning ner to give up ner pen, write letters that he would never mail, and even burning her map. Slaves power was based on types of labor. Dana had little power despite the fact that she was a house- nigger and an educated black. House servants had far more power than the field workers. Rufus sent Dana to the field where she was whipped to prove a point. Intellect or the type of labor she did still couldnt stop her from being beat. Black and white women were inferior to all white men in the 1800s. In 1976 Dana faces issues with race and slavery before she was ever brought back to the past of the 1800s. In Danas time she worked but it was like slavery because of the low paying no benefits Job also known as wage slavery. Some people never escape wage slavery but since Dana was literate and determined she was able to rise above it by writing stories. Just as in the 1800s being literate is what gave her a better life on the plantation because the Weylins recognized that she was educated and different from all the other blacks theyVe came across. Dana was punished for teaching the slaves how to read but it was okay for her to teach Rufus how to read as well as his children so they can have better lives. When Dana decided to marry Kevin who was a white man they both experienced racial prejudice from their own family. Kevin thought his sister would accept him marrying a black woman but to his surprise she did not approve. His sister says That she didnt want to meet you, wouldnt have you in her house-or me either if I married you. (Butler 110) Dana knew her aunt and uncle werent too fond of white people. Her aunt didnt like whites but she preferred light skinned blacks l think my aunt accepts the idea of marrying you because any children we have will be light. (Butler 1 1 1) The stereotype that light skinned blacks are less inferior to dark skinned blacks presents itself again. Just as in the 1800s in Maryland the lighter blacks were the house-niggers while the darker blacks worked the field. Danas aunt felt as if the children would have more opportunities because they would be light. Despite how others felt about their relationship they still decided to get married. The past and present affected both Kevin and Dana, even though Kevin was white he still came across difficulties coping with the harsh ways of slavery. And if I felt that way after spending only short periods in the past, what must Kevin be feeling after five years. His white skin aved him from much trouble I had faced, but still, he couldnt have had an easy time. (Butler 191) While Dana experienced what it was like to be a slave, Kevin saw what slaves had to go through to survive. Kevin saw things that Dana havent seen during the slavery period. Dana and Kevin endured brutalities of slave life yet they still felt like observers rather than participants because they struggled with accepting what wasnt normal for them. This womans master strung her up by her wrist and beat her until the baby came out of her- dropped onto the ground. (Butler 191) . There were slave masters far more worse than Tom Weylin When Kevin came back to California after five years he took a while to adjust to modern life. l feel like this is another stopover. Home didnt feel like home to him, he never got time to settle in his new apartment because he was only there for two days and he traveled so many places for so long that his home was never home. The Television and typewriter seemed all so new to him, everything was different and modern. Dana didnt feel like ner nome in Calitornia was really nome either. l nad been nome to 1 adnt felt that homelike. (Butler 191) Her home in Maryland has really become her present which made her California home seem like the past. The dichotomies of past and present in Kindred were artificial to the reader but not the characters Dana and Kevin. They were artificial because people dont Just Jump from past to present the way Dana did, theyre gradually put into that different era. Its impossible to live in both of those time eras because of the huge time difference. We might hear stories from our ancestors about the past but are never able to go back and live it ourselves. For Dana the experience from the past was useful because it helped her find out about her ancestors and also because she was able to see for herself the awful ways of slavery. She underestimated the intensity of slavery because she never lived in that time. The difference between black and white and past and present played a major part of Danas life. Dana losing her arm as she emerges for the last time from the past was very significant. Slaves suffered physical and emotional abuse because of their slave owners. Losing her arm shows that blacks in 1979 are removed from slavery but they till carry the hurt within them.

The Summary Paper Joseph Conrad’s The Heart of Darkness Essay Example

The Summary Paper: Joseph Conrad’s The Heart of Darkness Essay There are different communities and different cultures on the Earth. Yet all of them consist of the same entities – human beings. Joseph Conrad’s The Heart of Darkness proves the point that respect for other cultures helps to keep the human self in the alien surroundings. Modern critical responses to the book show how valuable it is even nowadays, when the world seems to be more humanistic than in the 19th century. The story is called the â€Å"longest journey into self†, â€Å"a sensitive and vivid travelogue†, and â€Å"an angry document on absurd and brutal exploitation† (Guerard, 1987, p. 5).I will try to prove the points stated above by analysing the attitudes, which the characters of the story demonstrated to the other culture. I want to comment specifically on Marlow’s reasons to start for Africa; on the significance of â€Å"darkness† in the story; and of Conrad’s perceptions of colonization. I argue that in The Heart Of Darkness we are taught that violating people and cultures, which are different to ours, may seriously damage a human soul.Marlow seems to travel to Africa for several reasons. First, he made his child dream alive with admiration of â€Å"all the glories of exploration† (Conrad, 1946, p. 52) and â€Å"many blank spaces on the earth† (ibid.). Significant is his fascination with â€Å"a mighty big river†, on the African map, which resembled in his mind of â€Å"an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land† (ibid.). Marlow recalled that this snake-like river mesmerized him as if he was a bird.In the beginning of the narration, it is obscure why Marlow, first, refers to Africa among the places unexplored as delightful, and then, suddenly, speaks about â€Å"a place of darkness† (ibid.). One critic assumed that Africa â€Å"functions in the novel as a ‘foil’ for Europe, constituting a negative, blank space onto which is projected all that Europe does not want to see in itself, everything that is abhorrent and abject† (Brown, 2000, pg. 2). In our minds, snake symbolizes danger and seduction. It seems that the image of mysterious continent seduced Marlow into â€Å"the night journey into the unconscious, and confrontation of an entity within the self† (Guerard, 1987, p. 9).Marlow was not a businessman to get ivory at the Belgian trade stations. He was a sailor of peculiar sort, â€Å"a seaman, but he was a wanderer, too† (Conrad, 1946, p. 48). Marlow refers to the black continent as â€Å"the farthest point of navigation and the culminating point of my experience† (Conrad, 1946, p. 51). To him the desire to reach the river, which he has been dreaming about since the childhood, was somehow unreasonable. â€Å"I must get there by hook or by crook† (Conrad, 1946, p. 53), he explained to the listeners of his story about Mr. Kurtz.From the very beginning, the narrator underlines a strange uneasiness about the travelling obsession, as if â€Å"instead of going to the centre of a continent, I were about to set off for the centre of the earth† (Conrad, 1946, p. 60). The atmosphere of mystery and bad expectations is created by the author through the striking contrasts of dark and light, which are described in details by Marlow.At first thought, a reader thinks of the juxtaposition as natural distinction between England, where â€Å"the water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marshes was like a gauzy and radiant fabric† (Conrad, 1946, p. 46); and Africa with â€Å"colossal jungle, so dark-green as to be almost black, fringed with white surf† (Conrad, 1946, p. 60). As Guerard puts it, â€Å"the introspective voyager leaves his familiar rational world† (1987, p. 10), where everything is seen through the light lens. On the contrast, African river, the former fairy-tale snake, turns into the â€Å"streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair† (Conrad, 1946, p. 62). Guerard on the point of death references states, â€Å"And even Kurtz, shadow and symbol though he be, [†¦] is sharply visualized, an ‘animated image of death,’ a skull and body emerging as from a winding sheet, ‘the cage of his ribs all astir, the bones of his arm waving’† (1987, p. 14), proceeding with the remark, â€Å"This is Africa and its flabby inhabitants† (ibid.). Thus, a negative conceptualization of Africa as a dark, mysterious and perilous place is evident here. There white men become shadows of death and repulsive in their change.Besides scenery-based references to dark a nd light, there is another important realm where this contrast plays a significant role. That is the relationships of different races on the African continent. Marlow stresses that he is â€Å"not particularly tender† (Conrad, 1946, p. 65). Yet this mature and harsh man is beyond himself with bewilderment, sorrow, disgust and even terror at watching how hard native people were exploited by Belgian colonizers. The scene when he arrives at the trade station and meets the party of chained black starving ragged creatures doing unbearably hard work is striking. He speaks of devils there, comparing â€Å"the devil of violence, and the devil of greed, and the devil of hot desire† (Conrad, 1946, p. 65) to â€Å"a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly† (Conrad, 1946, p. 65), evidently meaning colonization.The key to the understanding of genuine yet implicit motives the author held in mind when contrasting dark and light is Marlow’s reference to England as â€Å"one of the dark places of the earth† (Conrad, 1946, p. 48). He proved his point by reconstructing the behavior of the Romans during the colonization of the British Isles. However, Marlow does not call them colonizers. Neither does he give such name to the Belgian pilgrims in Africa, which means that he â€Å"establishes certain political values† (Guerard, 1987, p. 14). Brown assumes that â€Å"in Marlows account of his journey [†¦] there can be observed an obscure vacillation between the horror as an effect of colonial intervention and the location of the horrors cause as the environment itself† (2000, pg. 6). The negative attitude to colonization, therefore, is implicit in the story, when â€Å"colonial intervention [†¦] loses its possible critical edge by remaining an account merely of atrocious things happening in the colonies. This contrasts to the perversion of the Wests self-image†, as Brown proves (2000, pg. 6).Africa became a suitable territory for â€Å"the devotion to efficiency† (Conrad, 1946, p. 50) with its rich natural resources. There any man of white skin was regarded as â€Å"an emissary of light† (Conrad, 1946, p. 50) regardless of his personal qualities. And native people were seen as black ants in the fierce sun whose destiny was to carry loads and do dirty job. The living symbol of darkness in its specific sense which Conrad creates in the story is Mr. Kurtz, the most successful trading agent of the Company. Marlow is sent to pick him up from the farthest station with his loot of ivory. It appears that speaking about â€Å"heart of darkness† (Conrad, 1946, p. 95), Marlow did not mean the dark tint of African rivers or the dark color of the bush. Instead, he spoke about â€Å"the triumphant darkness† (Conrad, 1946, p. 159) of a white ruthless colonizer like Mr. Kurtz.In the end, Marlow recalls â€Å"the colossal scale of [Kurtz’s] vile de sires, the meanness, the torment, the tempestuous anguish of his soul† (Conrad, 1946, p. 156). A poor man who was unable to marry the woman he loved, Kurtz became a successful trader who served at his best for the Company but never forgot his own promotion. In his strive to be an honoured member of the high and prosperous society, Kurtz stomped over all human virtues of respect, morals, servitude and humanism. The dry heads, which surrounded his last camp in the African wilderness, symbolize the dryness of his human nature. Kurtz was a gifted and charismatic leader. However, he embodies the â€Å"triumph for the wilderness, an invading and vengeful rush† (Conrad, 1946, p. 156). Marlow refers to him as a â€Å"soul satiated with primitive emotions, avid of lying fame, of sham distinction, of all the appearances of success and power† (Conrad, 1946, p. 147).My Intended, my ivory, my station, my river, my everything belonged to him. It made me hold my breath in expec tation of hearing the wilderness burst into a prodigious peal of laughter that would shake the fixed stars in their places. Everything belonged to himbut that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. (Conrad, 1946, p. 116)â€Å"Marlows temptation is made concrete through his exposure to Kurtz, a white man and sometime idealist who had fully responded to the wilderness: a potential and fallen self†, Guerard assumes (1987, p. 9). Marlow calls Kurtz devil because no human being is allowed to be so atrocious and reckless in his desire to suppress people who are different than he, a white dominant male. His blindness to diversity – of cultures or human values – drives him to death and creates the atmosphere of darkness dominating.The idea of dominance is criticized by Marlow and Conrad as the author:The conquest of the earth, which mostly means the taking it away from those who have a different co mplexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. (Conrad, 1946, p. 50-1)Now we can recall once again the discourse about the Romans colonizing the Britons. Then, Marlow spoke of the warriors amidst the alien tribes who spoke different language, awful climate and etc. â€Å"They were men enough to face the darkness†, he admits almost admiringly (Conrad, 1946, p. 49), meaning that they faced difficulties and performed their duties well. However, closer to the end of the story the narrator seemed to be more indignant with â€Å"the seed of commonwealths, the germs of empires† (Conrad, 1946, p. 47). Those germs, which remind us of some contagious disease, makes one man suppress the other, who is no less unique or significant. The detailed depictions of starving natives aim at teaching the lesson of tolerance and acknowledging the diversity. Kurtz, a white colonizer, in his obsession with power, appears to be more barb arous than the people he suppressed. Though energetic and charismatic, Kuntz dies as well as the idea of colonization in the modern world. This proves the initial argument about ominous results cultural and human violation brings to human soul and body. The Summary Paper Joseph Conrad’s The Heart of Darkness Essay Example The Summary Paper: Joseph Conrad’s The Heart of Darkness Paper There are different communities and different cultures on the Earth. Yet all of them consist of the same entities – human beings. Joseph Conrad’s The Heart of Darkness proves the point that respect for other cultures helps to keep the human self in the alien surroundings. Modern critical responses to the book show how valuable it is even nowadays, when the world seems to be more humanistic than in the 19th century. The story is called the â€Å"longest journey into self†, â€Å"a sensitive and vivid travelogue†, and â€Å"an angry document on absurd and brutal exploitation† (Guerard, 1987, p. 5). I will try to prove the points stated above by analysing the attitudes, which the characters of the story demonstrated to the other culture. I want to comment specifically on Marlow’s reasons to start for Africa; on the significance of â€Å"darkness† in the story; and of Conrad’s perceptions of colonization. I argue that in The Heart Of Darkness we are taught that violating people and cultures, which are different to ours, may seriously damage a human soul.Marlow seems to travel to Africa for several reasons. First, he made his child dream alive with admiration of â€Å"all the glories of exploration† (Conrad, 1946, p. 52) and â€Å"many blank spaces on the earth† (ibid.). Significant is his fascination with â€Å"a mighty big river†, on the African map, which resembled in his mind of â€Å"an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land† (ibid.). Marlow recalled that this snake-like river mesmerized him as if he was a bird.In the beginning of the narration, it is obscure why Marlow, first, refers to Africa among the places unexplored as delightful, and then, suddenly, speaks about â€Å"a place of darkness† (ibid.). We will write a custom essay sample on The Summary Paper: Joseph Conrad’s The Heart of Darkness specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Summary Paper: Joseph Conrad’s The Heart of Darkness specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Summary Paper: Joseph Conrad’s The Heart of Darkness specifically for you FOR ONLY $16.38 $13.9/page Hire Writer One critic assumed that Africa â€Å"functions in the novel as a ‘foil’ for Europe, constituting a negative, blank space onto which is projected all that Europe does not want to see in itself, everything that is abhorrent and abject† (Brown, 2000, pg. 2). In our minds, snake symbolizes danger and seduction. It seems that the image of mysterious continent seduced Marlow into â€Å"the night journey into the unconscious, and confrontation of an entity within the self† (Guerard, 1987, p. 9).Marlow was not a businessman to get ivory at the Belgian trade stations. He was a sailor of peculiar sort, â€Å"a seaman, but he was a wanderer, too† (Conrad, 1946, p. 48). Marlow refers to the black continent as â€Å"the farthest point of navigation and the culminating point of my experience† (Conrad, 1946, p. 51). To him the desire to reach the river, which he has been dreaming about since the childhood, was somehow unreasonable. â€Å"I must get there by hook or by crook† (Conrad, 1946, p. 53), he explained to the listeners of his story about Mr. Kurtz.From the very beginning, the narrator underlines a strange uneasiness about the travelling obsession, as if â€Å"instead of going to the centre of a continent, I were about to set off for the centre of the earth† (Conrad, 1946, p. 60). The atmosphere of mystery and bad expectations is created by the author through the striking contrasts of dark and light, which are described in details by Marlow. At first thought, a reader thinks of the juxtaposition as natural distinction between England, where â€Å"the water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marshes was like a gauzy and radiant fabric† (Conrad, 1946, p. 46); and Africa with â€Å"colossal jungle, so dark-green as to be almost black, fringed with white surf† (Conrad, 1946, p. 60). As Guerard puts it, â€Å"the introspective voyager leaves his familiar rational world† (1987, p. 10), where everything is seen through the light lens. On the contrast, African river, the former fairy-tale snake, turns into the â€Å"streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair† (Conrad, 1946, p. 62). Guerard on the point of death references states, â€Å"And even Kurtz, shadow and symbol though he be, [†¦] is sharply visualized, an ‘animated image of death,’ a skull and body emerging as from a winding sheet, ‘the cage of his ribs all astir, the bones of his arm waving’† (1987, p. 14), proceeding with the remark, â€Å"This is Africa and its flabby inhabitants† (ibid.). Thus, a negative conceptualization of Africa as a dark, mysterious and perilous place is evident here. There white men become shadows of death and repulsive in their change. Besides scenery-based references to dark and light, there is another important realm where this contrast plays a significant role. That is the relationships of different races on the African continent. Marlow stresses that he is â€Å"not particularly tender† (Conrad, 1946, p. 65). Yet this mature and harsh man is beyond himself with bewilderment, sorrow, disgust and even terror at watching how hard native people were exploited by Belgian colonizers. The scene when he arrives at the trade station and meets the party of chained black starving ragged creatures doing unbearably hard work is striking. He speaks of devils there, comparing â€Å"the devil of violence, and the devil of greed, and the devil of hot desire† (Conrad, 1946, p. 65) to â€Å"a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly† (Conrad, 1946, p. 65), evidently meaning colonization.The key to the understanding of genuine yet implicit motives the author held in mind when contr asting dark and light is Marlow’s reference to England as â€Å"one of the dark places of the earth† (Conrad, 1946, p. 48). He proved his point by reconstructing the behavior of the Romans during the colonization of the British Isles. However, Marlow does not call them colonizers. Neither does he give such name to the Belgian pilgrims in Africa, which means that he â€Å"establishes certain political values† (Guerard, 1987, p. 14). Brown assumes that â€Å"in Marlows account of his journey [†¦] there can be observed an obscure vacillation between the horror as an effect of colonial intervention and the location of the horrors cause as the environment itself† (2000, pg. 6). The negative attitude to colonization, therefore, is implicit in the story, when â€Å"colonial intervention [†¦] loses its possible critical edge by remaining an account merely of atrocious things happening in the colonies. This contrasts to the perversion of the Wests self-image†, as Brown proves (2000, pg. 6). Africa became a suitable territory for â€Å"the devotion to efficiency† (Conrad, 1946, p. 50) with its rich natural resources. There any man of white skin was regarded as â€Å"an emissary of light† (Conrad, 1946, p. 50) regardless of his personal qualities. And native people were seen as black ants in the fierce sun whose destiny was to carry loads and do dirty job. The living symbol of darkness in its specific sense which Conrad creates in the story is Mr. Kurtz, the most successful trading agent of the Company. Marlow is sent to pick him up from the farthest station with his loot of ivory. It appears that speaking about â€Å"heart of darkness† (Conrad, 1946, p. 95), Marlow did not mean the dark tint of African rivers or the dark color of the bush. Instead, he spoke about â€Å"the triumphant darkness† (Conrad, 1946, p. 159) of a white ruthless colonizer like Mr. Kurtz.In the end, Marlow recalls â€Å"the colossal scale of [Kurtz’s] vile desire s, the meanness, the torment, the tempestuous anguish of his soul† (Conrad, 1946, p. 156). A poor man who was unable to marry the woman he loved, Kurtz became a successful trader who served at his best for the Company but never forgot his own promotion. In his strive to be an honoured member of the high and prosperous society, Kurtz stomped over all human virtues of respect, morals, servitude and humanism. The dry heads, which surrounded his last camp in the African wilderness, symbolize the dryness of his human nature. Kurtz was a gifted and charismatic leader. However, he embodies the â€Å"triumph for the wilderness, an invading and vengeful rush† (Conrad, 1946, p. 156). Marlow refers to him as a â€Å"soul satiated with primitive emotions, avid of lying fame, of sham distinction, of all the appearances of success and power† (Conrad, 1946, p. 147). My Intended, my ivory, my station, my river, my everything belonged to him. It made me hold my breath in expectation of hearing the wilderness burst into a prodigious peal of laughter that would shake the fixed stars in their places. Everything belonged to himbut that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. (Conrad, 1946, p. 116)â€Å"Marlows temptation is made concrete through his exposure to Kurtz, a white man and sometime idealist who had fully responded to the wilderness: a potential and fallen self†, Guerard assumes (1987, p. 9). Marlow calls Kurtz devil because no human being is allowed to be so atrocious and reckless in his desire to suppress people who are different than he, a white dominant male. His blindness to diversity – of cultures or human values – drives him to death and creates the atmosphere of darkness dominating.The idea of dominance is criticized by Marlow and Conrad as t he author:The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. (Conrad, 1946, p. 50-1) Now we can recall once again the discourse about the Romans colonizing the Britons. Then, Marlow spoke of the warriors amidst the alien tribes who spoke different language, awful climate and etc. â€Å"They were men enough to face the darkness†, he admits almost admiringly (Conrad, 1946, p. 49), meaning that they faced difficulties and performed their duties well. However, closer to the end of the story the narrator seemed to be more indignant with â€Å"the seed of commonwealths, the germs of empires† (Conrad, 1946, p. 47). Those germs, which remind us of some contagious disease, makes one man suppress the other, who is no less unique or significant. The detailed depictions of starving natives aim at teaching the lesson of tolerance and acknowledging the diversity. Kurtz, a white colonizer, in his obsession with power, appears to be more barbarous than the people he suppressed. Though energetic and charismatic, Kuntz dies as well as the idea of colonization in the mode rn world. This proves the initial argument about ominous results cultural and human violation brings to human soul and body.

Free Essays on VOIP

(VoIP) INTRODUCTION: In the eyes of most, all packets are created equal. One of the most active areas of telecommunications today is in the area of Voice over Internet Protocol (VoIP). The logic behind this trend makes perfect sense. If we have invested heavily in an Internet Protocol (IP) network, why can't we make full use of it? This is a question posed by many managers and Information Technology (IT) professionals in a wide range of businesses. Many businesses would prefer to have one network in and out of their business for reasons ranging from cost effectiveness to manageability. IP telephony offers a promise of consolidation. This will allow an enterprise to converge its traditional phone system and newer data network for greater efficiency. Arieh Dranger, president of neXTel Systems LLC says, "I don't think it's a question of whether we need VoIP, but when it will come together, because it represents a natural progress of integrating data- period. The IP protocol is probably the most efficient at combining a universal communications network." Basically, IP telephony is taking the telecom world by storm. It has evolved from a little known and used application in 1995 to an application that is poised for global adoption. But as with all technology, there is a price to be paid, and several entities vying for a piece of the pie. WHAT IS VoIP and HOW DOES IT WORK? To put it simply, VoIP means Voice over Internet Protocol. It's a technology that allows network managers to route phone call over the network they use for data transmission. A voice travels over a corporate Intranet or the Internet instead of the public telephone system. Special gateways installed at both the sending and receiving end of a communications channel converts voice to IP packets and back again to voice. This process must take place in a time frame of less than 100 milliseconds to sustain the Quality of Service (QoS) that users are acc... Free Essays on Voip Free Essays on Voip (VoIP) INTRODUCTION: In the eyes of most, all packets are created equal. One of the most active areas of telecommunications today is in the area of Voice over Internet Protocol (VoIP). The logic behind this trend makes perfect sense. If we have invested heavily in an Internet Protocol (IP) network, why can't we make full use of it? This is a question posed by many managers and Information Technology (IT) professionals in a wide range of businesses. Many businesses would prefer to have one network in and out of their business for reasons ranging from cost effectiveness to manageability. IP telephony offers a promise of consolidation. This will allow an enterprise to converge its traditional phone system and newer data network for greater efficiency. Arieh Dranger, president of neXTel Systems LLC says, "I don't think it's a question of whether we need VoIP, but when it will come together, because it represents a natural progress of integrating data- period. The IP protocol is probably the most efficient at combining a universal communications network." Basically, IP telephony is taking the telecom world by storm. It has evolved from a little known and used application in 1995 to an application that is poised for global adoption. But as with all technology, there is a price to be paid, and several entities vying for a piece of the pie. WHAT IS VoIP and HOW DOES IT WORK? To put it simply, VoIP means Voice over Internet Protocol. It's a technology that allows network managers to route phone call over the network they use for data transmission. A voice travels over a corporate Intranet or the Internet instead of the public telephone system. Special gateways installed at both the sending and receiving end of a communications channel converts voice to IP packets and back again to voice. This process must take place in a time frame of less than 100 milliseconds to sustain the Quality of Service (QoS) that users are acc... Free Essays on VOIP INTRODUCTION VOIP means voice over Internet Protocol. A term used in IP telephony to manage the delivery of voice information using the Internet Protocol. It is used to send voice information in digital form in packets rather than using the telephone network. VOIP uses a real-time protocol to help ensure timely and prompt delivery. It also has the potential to change communication and to speed up the delivery of advanced services to all Americans. ADVANTAGES A major advantage of VOIP and Internet telephony is that it avoids the tolls charged by ordinary telephone services. Other advantages include, integration of voice and data, simplification, network efficiency, cost reduction, and many more. The comparison between data and voice network is very similar and the Internet is a huge part for both. The industry trends work over telephone services also. However, the benefits of using IP as a generic platform for both data and real-time application are compelling enough to resolve all issues. MAJOR SYSTEMS A major system component would be the gateways. They are devices that control the communication between the telephone signals and the IP endpoints. It is also an information services that delivers voice communications and joins voice coverage with other data applications and devices. The gateways perform six functions, search function, connection function, digitizing function, demodulation functions, compression function, and decompression and remodulation functions. When the gateway is still performing steps it also receives packets that is where gatekeepers take place. The gatekeeper performs address translation, admissions control, bandwidth management and zone management. An IP telephone is another system component. These devices replace the old telephones by providing enhanced services that are best used for VOIP. QUALITY The voice quality is very important to VOIP technology. There are certain factors tha...